|
A wonderfully imposing case |
A new booklet entitled 'Resounding Praise' has been released which gives a detailed history of the instrument and organists by Alison Spence.
It contains a great deal of information about church and organ and is available (£5) from the church, the author or the Director of Music
The Current Specification of the Organ
Compass:- Manuals 61 notes
Pedal 30 notes
Pedal |
|
|
Swell |
|
Sub Bourdon |
32 |
Digital lowest octave |
Open Diapason |
8 |
Open Wood |
16 |
|
Lieblich Gedact |
8 |
Double Diapason |
16 |
Digital lowest octave |
Salicional |
8 |
Bourdon |
16 |
|
Voix Celeste |
8 |
Echo Bourdon |
16 |
From Choir |
Gemshorn |
4 |
Octave Wood |
8 |
|
Lieblich Flute |
4 |
Bass Flute |
8 |
|
Flageolet |
2 |
Octave Flute |
4 |
|
Nineteenth |
1⅓ |
Double Trumpet |
16 |
From Swell |
Mixture |
III |
Ophicleide |
16 |
New bottom octave |
Double Trumpet |
16 |
Trumpet |
8 |
From Great |
Horn |
8 |
Oboe |
4 |
From Swell |
Oboe |
8 |
|
|
|
Clarion (ext) |
4 |
|
|
|
|
|
|
|
|
|
|
Great |
|
|
Choir |
|
Double Diapason |
16 |
Digital lowest octave |
Echo Bourdon |
16 |
Large Open Diapason |
8 |
|
Stopped Diapason |
8 |
Small Open Diapason |
8 |
|
Echo Flute |
8 |
Claribel |
8 |
|
Dulciana |
8 |
Dulciana |
8 |
From Choir |
Viol da Gamba |
8 |
Open Flute |
4 |
|
Flute |
4 |
Principal |
4 |
|
Gemshorn |
4 |
Twelfth |
2 2/3 |
|
Nazard |
2 2/3 |
Fifteenth |
2 |
New to Tenor C |
Superoctave |
2 |
Mixture |
III |
3rd rank added |
Seventeenth |
1 3/5 |
Trumpet |
8 |
|
Clarinet |
8 |
Clarion (ext) |
4 |
|
Trumpet (GT) |
8 |
All pistons are adjustable. Balanced swell
pedal
Full complement of Couplers & Accessories
8 thumb pistons to Great, Swell and Choir (12
levels)
8 Toe pistons to Pedal and Swell
8 Generals to whole organ (256 levels)
Great to pedal combination coupler
Generals on Swell Toe pistons
Tremulant to Swell and Choir
The 1982 Kimber Allen console
(This replaced a second hand Compton horseshoe style console. The Compton keyboards were retained)
History of the instrument
On
The old organ had been installed in 1854/5 at
a cost of £171 plus £16 8s 5d for carriage from
The new organ was installed early in 1895 and
dedicated on the afternoon of
It was often said that Brindley
& Foster actions would function quite satisfactorily for about 50 years and
then a major rebuild would be necessary. The St. Mary’s organ seems to have
confirmed this view. There are no records of payments for any work other than
routine tuning and maintenance until 1943 when the organist reported to the
Trust that the organ was giving trouble. In 1944 it was proposed that an organ
fund should be opened. Apart from some minor work in 1948/9 nothing was done
until tenders were sought in February 1954.
Tenders were received from 3 firms and that
of the
Unfortunately many of the components used
were second-hand (believed to be ex-cinema organs) and their useful life was
short. It is not surprising therefore that in October 1964 the organist
reported that the organ was very unreliable. This was said to be due to the
poor quality of components and to bad maintenance; the Trust therefore agreed
to transfer the maintenance to another organ builder. In July 1965 it was
reported that there was a strong possibility that the organ would collapse
completely. Nothing was done at that time and in 1971 Geo Osmond & Co.
reported that a £6,000 re-build had become urgent. At this time the city centre
development scheme was being planned and the future of the St. Mary’s building
was unknown. The Trust therefore decided to put in hand the replacement of the
faulty components so that the instrument would function satisfactorily for a
few more years. It was appreciated that this was only a stop gap measure and a
full re-build would be required later.
In June 1972 the proposal of M.W. Eglinton of Saltash was accepted.
At a cost of £1,460 the action relays and the stopkey
units were replaced. As the work progressed, additional work was found to be
necessary on some pneumatic motors.
The work done by Lance Foy in 1981 transformed
the sound of the instrument, making it brighter and more colourful. Both swell
and great gained new mixtures and the great an independent 12th. The swell
double trumpet makes a telling addition to the full swell and overall ensemble.
The direct electric action has proved responsive and reliable and the
specification of the instrument is quite complete and now resembles that of the
original installation. The provision of a new console (retaining the Compton
ivory keys) enables the organist to hear the instrument fully and direct the
choir. Since 1987 Lance Foy has been able to do some more work on the organ and the swell double is now trumpet playable on the pedal
organ and additional thumb and toe pistons to the Choir, Great and Swell.
The Church can be rightly proud of such a
fine instrument for accompanying hymns and for the performance of Church and
organ music.
After 25 years reliable service plans are in hand to overhaul and clean the instrument in the next 4 to 5 years. Recently some of the springs in the pedal chest have broken and temporary repairs have been made with elastic!! We hope the budget will also allow some tonal modifications and improvement with the possible addition of new stops and the provision of an up to date capture system.
Some significant donations have allowed us to make a start on the purchase of a set of Oboe and Clarinet pipes and a new adjustable bench. This bench was given by relatives of a former organist Arthur Coombe.
Please see the new booklet Resounding Praise for a full history of the organ.
Back to index (Philip Davey)